On Chawton House

¹ Chawton House.

Abstract

Curator Emma Yandle identifies the most Romantic object in the Chawton House collection as Mary Robinson’s Lyrical Tales, a slim volume published in 1800, just months before the writer’s untimely death at forty-three years old. Robinson was an eighteenth-century actress, celebrity, and writer, who has long been mostly remembered for her relationship with the Prince of Wales (later George IV), who fell in love with her on stage as Perdita in The Winter’s Tale. In recent decades, she has been reclaimed as one of the most important and overlooked writers of the period. Deeply inspired by the radical poetics of Wordsworth and Coleridge’s Lyrical Ballads, Robinson’s final poems are a marked departure: interweaving her command of metre, flair for narrative, and embrace of the Gothic into tales of ordinary women, refugees, and social outcasts. This short film introduces Robinson and the tragic story of her life; examines Chawton House’s copy of Lyrical Tales as a material object; and traces the repeated motif of the gravestone through Robinson’s poetry to her own final resting place—with its self-authored epitaph—in the graveyard of Old Windsor Church.

BIOGRAPHICAL NOTE

Emma Yandle was appointed the first Curator of Chawton House in 2019. She holds a first-class degree in English Language and Literature from the University of Oxford and a Master’s in Museum Studies from the University of Amsterdam. She was Assistant Curator of Maps and Marvels, which has been on display at the National Maritime Museum, Amsterdam, since May 2019, and of the Chawton House exhibition Trailblazers: Women Travel Writers and the Exchange of Knowledge (September 12, 2022–February 26, 2023). She is Curator of “Mary Robinson: Actress, Mistress, Writer, Radical,” which opens at Chawton House in autumn 2024.