Romantic Spectacle – An Introduction
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Iain McCalman
The Virtual Infernal: Philippe de Loutherbourg, William Beckford and the Spectacle of the Sublime
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Peter Otto
Between the Virtual and the Actual: Robert Barker’s Panorama of London and the Multiplication of the Real in late eighteenth-century London
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John Barrell
Radicalism, Visual Culture, and Spectacle in the 1790s
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Neil Ramsey
Horrid Scenes and Marvellous Sights: The Citizen-Soldier and Sir Robert Ker Porter’s Spectacle of War
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David Snowdon
Drama Boxiana: Spectacle and Theatricality in Pierce Egan’s Pugilistic Writing
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Simon Hull
The Ideology of the Unspectacular: Theatricality and Charles Lamb’s Essayistic Figure
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Luisa Calè
Sympathy in Translation: Paul et Virginie on the London Stage
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Michelle Landauer
Images of Virtue: Reading, Reformation and the Visualization of Culture in Rousseau’s La Nouvelle Héloïse
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David Sigler
Two Masquerades and their Spec(tac)ular Effects in Mary Robinson’s Walsingham
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Jon Saklofske
Conscripting Imagination: The National “Duty” of William Blake’s Art
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David Higgins
“Isn’t She Painted Con Amore?” Fraser’s Magazine and the Spectacle of Female Genius
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Susan Matthews
“Happy Copulation”: Blake, visual enthusiasm and gallery culture
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Gordon Teskey
Reviews
Northrop Frye. Northrop Frye on Milton and Blake. Ed. Angela Esterhammer. Vol. 16 in Collected Works of Northrop Frye. Toronto: University of Toronto Press, 2005. ISBN: 9780802039194. Price: US$85/£55
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Tilar J. Mazzeo